| Highest Quality Polyphonic (polytonal & polyrhythmical) Performance |
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| The Musical Performers and Their Laws | |||
| The Motif | |||
| The Masculine and the Feminine Musical Motif | |||
| Training the Free Formative Will | |||
| Motif Recognition | |||
| Motif-Technique | |||
| Power and Powerlessness of Musical Interpretation | |||
| Scenes from the Inner World of Human Evolution | |||
| Integration of Levels of Creativity | |||
| The Differentiated Apprehension of the Power of the Harmony |
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| The Perfection of the Formative Forces in Music | |||
| The Melody | |||
| The Manifold Shape of the Melody | |||
| The Path of the Human Character in the Musical Form |
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| The Sequence in Music | |||
| The Gate of Harmony to the Outer Music | |||
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With kind permission of AAR EDITION INTERNATIONAL © 1998 - MICRO MUSIC LABORATORIES |
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